Skanda - the attacker: A Deafening Dive into Mass Entertainment**

**Skanda - the attacker:

Skanda - the attacker: A Deafening Dive into Mass Entertainment**

In the realm of Telugu cinema, director Boyapati Sreenu is renowned for his unapologetically loud and grandiose approach to filmmaking. His latest offering, "Skanda - the attacker," starring Ram Pothineni, Sreeleela, and Saiee Manjrekar, does not deviate from this established formula. It's a film that fully embraces the essence of mass entertainment, but in doing so, it becomes a test of endurance for both the characters on screen and the audience in the theater.

**A Familiar Tale of Political Drama**

The story of "Skanda" kicks off with an age-old trope: the forbidden love between two individuals from opposing political backgrounds. The son of the Telangana chief minister elopes with the daughter of the Andhra Pradesh chief minister, reigniting a longstanding rivalry between the two states. From this point onwards, it's a predictable journey of political power struggles, ego clashes, and high-octane action sequences.

**Rhyming Dialogues and Over-the-Top Drama**

One of Boyapati Sreenu's trademarks is his penchant for verbose, rhyming dialogues that often border on the absurd. "Skanda" is no exception; it's a treasure trove of lines that could easily become meme material for those who enjoy the exaggerated drama of Telugu cinema. While these dialogues may elicit laughter or applause from die-hard fans, they can also leave others scratching their heads in disbelief.

**Massy Action Sequences Turned Up to Eleven**

If there's one thing you can count on in a Boyapati Sreenu film, it's the spectacle of larger-than-life action sequences. "Skanda" delivers on this front with a vengeance. Heads roll, limbs are chopped off, and characters are hoisted up on spears or daggers. These sequences are executed in slow motion, seemingly designed to savor every gory detail. For action aficionados, this might be a feast for the eyes, but for the faint of heart, it can be downright overwhelming.

**The Auditory Assault: Extra Loud Music**

One of the most prominent elements that contribute to the sensory overload in "Skanda" is the deafening music. S. Thaman, the composer, seems to have received a simple directive: crank up the volume to the maximum. The result is a constant barrage of loud beats and melodies that never seem to let up. It's as if the film itself is in a relentless battle to outdo its own volume levels.

**Leading Women Left with Little to Do**

In a film so heavily dominated by testosterone-fueled action and machismo, it's no surprise that the leading women have limited roles to play. While Sreeleela and Saiee Manjrekar undoubtedly possess talent, their characters in "Skanda" are underutilized, serving primarily as eye candy or as damsels in distress. It's a missed opportunity to give these actresses more substantial roles and depth in the narrative.

**Lack of Nuance and Subtlety**

For those who are familiar with Boyapati Sreenu's filmography, subtlety and nuance are not expectations that come to mind. "Skanda" embraces its lack of subtlety with open arms. It's a film that revels in its loudness, its brashness, and its unapologetic commitment to mass entertainment. However, for viewers seeking a more nuanced and layered cinematic experience, "Skanda" falls woefully short.

**An Endurance Test for the Senses**

In summary, "Skanda - the attacker" is a cinematic experience that demands a certain level of stamina from its audience. It's a relentless assault on the senses, with its booming music, exaggerated action sequences, and over-the-top dialogues. While it may find its niche among fans of this particular style of filmmaking, it's not a movie that caters to a broader audience looking for depth, sophistication, or a meaningful storyline.

For those who can appreciate the sheer audacity of Boyapati Sreenu's vision and the unabashed celebration of mass entertainment, "Skanda" might offer some moments of amusement. However, for others, it's a movie that requires noise-cancelling earphones to weather the storm of sensory overload. In the end, "Skanda - the attacker" serves as a reminder that in the world of cinema, there's room for all kinds of storytelling, from the subtle and nuanced to the loud and extravagant. It's up to the audience to decide which flavor of entertainment they prefer.